Felipe Mujica

Santiago,Chile1974

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El Cóndor Pasa
2023 Installation view Cotton fabric, cotton batting, threadwork, and hand embroidered cotton 11 curtains produced with quilting techniques, with the guidance of Danielle Tucker OSMOS Station, Stamford NY This exhibition was supported, in part, by a Foundation for Contemporary Arts Emergency Grant
El Cóndor Pasa
2023 Installation view Cotton fabric, cotton batting, threadwork, and hand embroidered cotton 11 curtains produced with quilting techniques, with the guidance of Danielle Tucker OSMOS Station, Stamford NY This exhibition was supported, in part, by a Foundation for Contemporary Arts Emergency Grant
El Cóndor Pasa
2023 Installation view Cotton fabric, cotton batting, threadwork, and hand embroidered cotton 11 curtains produced with quilting techniques, with the guidance of Danielle Tucker OSMOS Station, Stamford NY This exhibition was supported, in part, by a Foundation for Contemporary Arts Emergency Grant
El Cóndor Pasa
2023 Installation view Cotton fabric, cotton batting, threadwork, and hand embroidered cotton 11 curtains produced with quilting techniques, with the guidance of Danielle Tucker OSMOS Station, Stamford NY This exhibition was supported, in part, by a Foundation for Contemporary Arts Emergency Grant
El Cóndor Pasa
2023 Installation view Cotton fabric, cotton batting, threadwork, and hand embroidered cotton 11 curtains produced with quilting techniques, with the guidance of Danielle Tucker OSMOS Station, Stamford NY This exhibition was supported, in part, by a Foundation for Contemporary Arts Emergency Grant
El Cóndor Pasa (Curtain 2)
2023 Cotton fabric, cotton quilt batting, embroidery cotton thread, and threadwork 66 x 43 in
El Cóndor Pasa (Curtain 3)
2023 Cotton fabric, cotton quilt batting, embroidery cotton thread, and threadwork 64 x 41 in
El Cóndor Pasa (Curtain 9)
2023 Cotton fabric, cotton quilt batting, embroidery cotton thread, and threadwork 65 x 42 in
El Cóndor Pasa (Curtain 10)
2023 Cotton fabric, cotton quilt batting, embroidery cotton thread, and threadwork 65 x 42 in
El Cóndor Pasa (Curtain 11)
2023 Cotton fabric, cotton quilt batting, embroidery cotton thread, and threadwork 65 x 42 in
¿En qué estabas pensando, en el pasado o en el futuro? (What Were You Thinking About, the Past or the Future?)
2022 Installation view, MAVI UC, Museo de Artes Visuales, Santiago de Chile, Photo: Jorge Brantmayer
¿En qué estabas pensando, en el pasado o en el futuro? (What Were You Thinking About, the Past or the Future?)
2022 Installation view, MAVI UC, Museo de Artes Visuales, Santiago de Chile, Photo: Jorge Brantmayer
¿En qué estabas pensando, en el pasado o en el futuro? (What Were You Thinking About, the Past or the Future?)
2022 Installation view, MAVI UC, Museo de Artes Visuales, Santiago de Chile, Photo: Jorge Brantmayer
Soltaré cien conejos y usted verá como le hace para juntarlos todos (I’ll Release a Hundred Rabbits and You’ll See How You’re Doing To Gather Them All Together)
2022 Installation view, Sala de Arte Siqueiros, Cuernavaca, Photo: Felipe Mujica
Soltaré cien conejos y usted verá como le hace para juntarlos todos (I’ll Release a Hundred Rabbits and You’ll See How You’re Doing To Gather Them All Together)
2022 Installation view, Sala de Arte Siqueiros, Cuernavaca, Photo: Felipe Mujica
Soltaré cien conejos y usted verá como le hace para juntarlos todos (I’ll Release a Hundred Rabbits and You’ll See How You’re Doing To Gather Them All Together)
2022 Installation view, Sala de Arte Siqueiros, Cuernavaca, Photo: Felipe Mujica
Cortinas (Curtains)
2022 Installation view, Redaktion, Luzern, Switzerland
Cortinas (Curtains)
2022 Installation view, Redaktion, Luzern, Switzerland
Cortinas (Curtains)
2022 Installation view, Redaktion, Luzern, Switzerland
First Sunrises on Earth (Solentiname)
2021 Installation view Art Basel Miami, Proyectos Ultravioleta and Von Bartha. Photo: Luis Corzo
First Sunrises on Earth (Solentiname)
2021 Installation view Art Basel Miami, Proyectos Ultravioleta and Von Bartha. Photo: Luis Corzo
First Sunrises on Earth (Solentiname)
2021 Installation view Art Basel Miami, Proyectos Ultravioleta and Von Bartha. Photo: Luis Corzo
First Sunrises on Earth (Solentiname)
2021 Installation view Art Basel Miami, Proyectos Ultravioleta and Von Bartha. Photo: Luis Corzo
The Swaying Motion on the Bank of the River Falls
2021 Exhibition view Perez Art Museum Miami, Miami Photo: Oriol Tarridas
The Swaying Motion on the Bank of the River Falls
2021 Exhibition view Perez Art Museum Miami, Miami
The Swaying Motion on the Bank of the River Falls
2021 Exhibition view Perez Art Museum Miami, Miami
The Swaying Motion on the Bank of the River Falls
2021 Exhibition view Perez Art Museum Miami, Miami
Big Storm
2021 Cotton fabric and thread 87 3/4 x 55 1/8 in Photo by: Luis Corzo
Fire
2021 Cotton fabric and thread 88 3/16 x 56 in Photo by: Luis Corzo
Lightning
2021 Cotton fabric and thread 89 x 56 in Photo by: Luis Corzo
Pyramid
2021 Cotton fabric and thread 92 1/8 x 57 7/8 in Photo by: Luis Corzo
Steps
2021 Cotton fabric and thread 88 3/16 x 56 in Photo by: Luis Corzo
First Sunrises on Earth
2021 Exhibition view Proyectos Ultravioleta Guatemala City
First Sunrises on Earth
2021 Exhibition view Proyectos Ultravioleta Guatemala City
First sunrises on earth (Dominican Republic) – Curtain 3
2016 Hand dyed cotton fabric and acrylic paint 64 x 42 in
First Sunrises on Earth (Zacatecas) – Curtain 1)
2019 Denim fabric, thread and “chaquiras” (beads) 58.66 x 37 in
First sunrises on earth (Zacatecas) – Curtain 6
2019 Hand embroidery on cotton fabric 53.3 x 35.3 in
Solentiname
2019 Exhibition view Solentiname, Isla Mancarrón
Solentiname
2019 Exhibition view Solentiname, Isla Mancarrón
Solentiname
2019 Exhibition view Solentiname, Isla Mancarrón
First Sunrises on Earth (Solentiname) – Curtain 1
2019 Hand painted and hand-dyed 59 x 37 in
First Sunrises on Earth (Solentiname) – Curtain 2
2019 Hand painted and hand-dyed cotton 59 x 37 in
First Sunrises on Earth (Solentiname) – Curtain 4
2019 Hand painted and hand-dyed cotton 70.9 x 44.9 in
First Sunrises on Earth (Solentiname) – Curtain 6
2019 Hand painted and hand-dyed cotton 70.9 x 44.9 in
Where Land and Sea Melt Into Sky
2019 Exhibition view PROXYCO Gallery, New York
Where Land and Sea Melt Into Sky
2019 Exhibition view PROXYCO Gallery, New York
First Sunrises on Earth (Zacatecas) – Curtain 1
2019 Demin fabric, thread and “chaquiras” (beads) 58.6 x 37 in
First Sunrises on Earth (Zacatecas) – Curtain 8
2019 Cotton fabric, thread and hand embroidered cotton 55.12 x 34.65 in
First Sunrises on Earth (Zacatecas) – Curtain 9
2019 Cotton fabric, thread and hand embroidered cotton 70.1 x 44.9 in
First Sunrises on Earth
2019 Exhibition view Sindicato, Las Terrenas / Sánchez, República Dominicana
First Sunrises on Earth
2019 Exhibition view Sindicato, Las Terrenas / Sánchez, República Dominicana
First Sunrises on Earth (Dominican Republic) – Curtain 1
2019 Hand dyed cotton fabric and acrylic paint 96 x 61 in
First Sunrises on Earth (Dominican Republic) – Curtain 3
2019 Hand dyed cotton fabric and acrylic paint 64.9 x 42.1 in
First Sunrises on Earth (Dominican Republic) – Curtain 4
2019 Fabric, fabric tape and sewing thread 52 x 33 in
All Tomorrow´s Parties
2019 Exhibition view Galerie Von Bartha, Basel
All Tomorrow´s Parties
2019 Exhibition view Galerie Von Bartha, Basel
All Tomorrow´s Parties
2019 Exhibition view Galerie Von Bartha, Basel
All Tomorrow´s Parties
2019 Exhibition view Galerie Von Bartha, Basel
All Tomorrow´s Parties
2019 Exhibition view Galerie Von Bartha, Basel
Ellos ya habían aprendido que todo lo que sueñan puede existir (They Had Already Learned That Everything They Dream of Can Exist)
2018 Exhibition view XIII Bienal FEMSA, Zacatecas
Ellos ya habían aprendido que todo lo que sueñan puede existir (They Had Already Learned That Everything They Dream of Can Exist)
2018 Exhibition view XIII Bienal FEMSA, Zacatecas
Ellos ya habían aprendido que todo lo que sueñan puede existir (They Had Already Learned That Everything They Dream of Can Exist)
2018 Exhibition view XIII Bienal FEMSA, Zacatecas
They Had Already Learned That Everything They Dream of Can Exist – Curtain 1
2018 Denim fabric (cotton and polyester mix), sewing thread and “beads” 90 x 62 in
They Had Already Learned That Everything They Dream of Can Exist – Curtain 2
2018 100% natural wool fabric, sewing thread and hand embroidered cotton thread 87 x 61 in
We Are More United to the Invisible Than to the Visible
2018 Exhibition view Museo de Arte Moderno de Medellín, Colombia
We Are More United to the Invisible Than to the Visible
2018 Exhibition view Museo de Arte Moderno de Medellín, Colombia
We Are More United to the Invisible Than to the Visible
2018 Exhibition view Museo de Arte Moderno de Medellín, Colombia
We Are More United to the Invisible Than to the Visible
2018 Exhibition view Museo de Arte Moderno de Medellín, Colombia
Las universidades desconocidas – Design 22 B (The Unknown Universities – Design 22 B)
2016 Cotton fabric, thread and embroidered yarn 116.1 x 62.9 in
Las universidades desconocidas – Design 39 (The Unknown Universities – Design 39)
2016 Cotton fabric and thread 116.1 x 62.9 in
Una noche de verdad dentro de una noche de verano (A Real Night Inside a Summer Night)
2018 Exhibition view Bis Oficina de Proyectos, Calí
Una noche de verdad dentro de una noche de verano (A Real Night Inside a Summer Night)
2018 Exhibition view Bis Oficina de Proyectos, Calí
Japanese Optical and Geometrical Art (p. 136)
2017 Silkscreen on inked paper 40.5 x 25.9 in
A Real Night Within a Summer Night – Curtain # 7
2018 Cotton fabric, embroidery 68.8 x 45 in
The Yellow Road – Curtain 2
2018 Fabric, sewing and embroidery 47 x 31 in
Dedicated to the Bird We Love
2017 Exhibition view Galerie von Bartha, S-chanf
Dedicated to the Bird We Love
2017 Exhibition view Galerie von Bartha, Basel
Dedicated to the Bird We Love
2017 Exhibition view Galerie von Bartha, Basel
Dedicated to the Bird We Love
2017 Exhibition view Galerie von Bartha, Basel
Sombras Imaginarias 13 (Imaginary Shadows 13)
2017 Embroidered cotton 98 x 53 in
Sombras Imaginarias 17 (Imaginary Shadows 17)
2017 Embroidered cotton 100 x 52 in
Sombras imaginarias caminan por el camino imaginario (Imaginary Shadows Walk the Imaginary Path)
2017 Exhibition view Casa Tríangulo, Sao Paulo, Brazil Photo: Edouard Fraipont
Sombras imaginarias caminan por el camino imaginario (Imaginary Shadows Walk the Imaginary Path)
2017 Exhibition view Casa Tríangulo, Sao Paulo, Brazil Photo: Edouard Fraipont
Sombras imaginarias caminan por el camino imaginario (Imaginary Shadows Walk the Imaginary Path)
2017 Exhibition view Casa Tríangulo, Sao Paulo, Brazil Photo: Edouard Fraipont
Sombras Imaginarias – Cortina 7 (Imaginary Shadows – Curtain 7)
2017 Embroidered cotton 100 x 53 in
Sombras Imaginarias – Cortina 9 (Imaginary Shadows – Curtain 9)
2017 Embroidered cotton 100 x 52.8 in
How to Speak Psychedelic
2017 Serigraphy on paper 39.9 x 25.9 in
Japanese Optical and Geometrical Art (p. 110)
2017 Serigraphy on paper 39.9 x 25.9 in
Japanese Optical and Geometrical Art (p. 136)
2017 Silkscreen on paper 39.9 x 25.9 in
Japanese Optical and Geometrical Art (p. 23)
2017 Serigraphy on paper 39.9 x 25.9 in
So We Faced With The Problems of Conversation (Google Translate)
2017 Exhibition view Koulturøya, Stavanger
So We Faced With The Problems of Conversation (Google Translate)
2017 Exhibition view Koulturøya, Stavanger
So We Faced With The Problems of Conversation (Google Translate) – Curtain 1
2017 Fabric and thread 51 x 29 in
So We Faced With The Problems of Conversation (Google Translate) – Curtain 2
2017 Fabric and thread 51 x 29 in
So We Faced With The Problems of Conversation (Google Translate) – Curtain 4
2017 Fabric and thread 51 x 29 in
Zigzag Incisions
2017 Exhibition view CuCRAC Alsace, Altkirch
Zigzag Incisions
2017 Exhibition view CuCRAC Alsace, Altkirch
There Are Houses and Streets That Run Down to the Sea (Navy Blue)
2016 Fabric and thread 96 x 55.9 in
There Are Houses and Streets That Run Down to the Sea (Oxide Orange)
2016 Fabric and thread 96 x 55.9 in
Embodied Absence
2016 Exhibition view Curated by Liz Munsell, Harvard University, Cambridge
Embodied Absence
2016 Exhibition view Curated by Liz Munsell, Harvard University, Cambridge
Curtain #1 (RED)
2016 5 Curtains of cotton fabric, sewing, hand-embroidered cotton thread 110 x 59 in
Curtain #2 (YELLOW)
2016 5 Curtains of cotton fabric, sewing, hand-embroidered cotton thread 110 x 59 in
Curtain #3 (BLUE)
2016 5 Curtains of cotton fabric, sewing, hand-embroidered cotton thread 110 x 59 in
Curtain #4 (BEIGE)
2016 5 Curtains of cotton fabric, sewing, hand-embroidered cotton thread 110 x 59 in
Las universidades desconocidas (The Unknown Universities)
2016 Exhibition view Incerteza Viva, 32ª Bienal São Paulo,São Paulo
Las universidades desconocidas (The Unknown Universities)
2016 Exhibition view Incerteza Viva, 32ª Bienal São Paulo,São Paulo
Las universidades desconocidas – Diseño 19 B modificado (The Unknown Universities – 19 B Modified Design)
2016 Cotton fabric, thread and embroidered yarn 116.1 x 62.9 in
Las universidades desconocidas – Diseño 40 (The Unknown Universities – Design 40)
2016 Cotton fabric, thread and embroidered yarn 116.1 x 62.9 in
La Liberté Sans Nom (Freedom Without a Name)
2016 Exhibition view Curated by Elfi Turpin, CRAC Alsace, Altkirch
La Liberté Sans Nom (Freedom Without a Name)
2016 Exhibition view Curated by Elfi Turpin, CRAC Alsace, Altkirch
Huecos #1 (Holes #1)
2016 Fabric and thread 52 x 27 in
Huecos #2 (Holes #2)
2016 Fabric and thread 52 x 27 in
The End of the East Coincides With the End of the South
2015 Exhibition view Proyectos Ultravioleta Guatemala City
The End of the East Coincides With the End of the South
2015 Exhibition view Proyectos Ultravioleta Guatemala City
Untitled for Cuenca – Curtain 1
2014 Fabric and thread 110 x 58 in
Untitled for Cuenca – Curtain 3
2014 Fabric and thread 110 x 58 in
Indigo
2015 Exhibition view Concepción 41, Antigua Guatemala
Indigo
2015 Exhibition view Concepción 41, Antigua Guatemala
Indigo #0
2015 Cotton fabric, sewing and hand embroidered cotton 51 x 29 in
Indigo #3
2015 Indigo dyed cotton fabric, stitching and hand embroidered cotton 51 x 29 in
Arriba como ramas que un mismo viento mueve (Up Like Branches That the Same Wind Moves)
2014 Exhibition view Museo Experimental El Eco, México City
Arriba como ramas que un mismo viento mueve (Up Like Branches That the Same Wind Moves)
2014 Exhibition view Museo Experimental El Eco, México City
Arriba como ramas que un mismo viento mueve – Cortina 1 (Up Like Branches That the Same Wind Moves – Curtain 1)
2014 Fabric and thread 112 x 59 in
Arriba como ramas que un mismo viento mueve – Cortina 4 y 5 (Up Like Branches That the Same Wind Moves – Curtain 4 and 5)
2014 Fabric and thread 112 x 59 in (each)
Untiled for Cuenca
2014 Exhibition view 12th Bienal of Cuenca, Cuenca
Untiled for Cuenca
2014 Exhibition view 12th Bienal of Cuenca, Cuenca
Untitled for Cuenca – Curtain 4
2014 Fabric and thread 110 x 58 in
Untitled for Cuenca – Curtain 2
2014 Fabric and thread 110 x 58 in
Untitled (El Quisco)
2013 Exhibition view Fondazione Merz, Turin
Untitled (El Quisco)
2014 Fabric and thread 4 panels of 47.2 x 78.7 in (each)
Arquitectura y amistad (Architecture and Friendship)
2013 Exhibition view Proyectos Ultravioleta, Guatemala City
Arquitectura y amistad (Architecture and Friendship)
2013 Exhibition view Proyectos Ultravioleta, Guatemala City
Untitled
2013 Cotton fabric, canvas fabric and thread 106 x 60.6 in
Untitled (Curtain 2)
2013 Thread and fabric 106 x 65.3 in
Ojos de perro azul (Blue Dog Eyes)
2012 Exhibition view Galeria Nuno Centeno, Porto
Ojos de perro azul (Blue Dog Eyes)
2012 Exhibition view Galeria Nuno Centeno, Porto
Blue Dog Eyes – Curtain 1
2012 Cotton fabric and thread 94 x 59 in
Blue Dog Eyes – Curtain 2
2012 Cotton fabric and thread 94 x 56 in
Extrapolasis 1 and 2
2012 Silkscreen on paper 40 x 25 in
Un puente es un hombre cruzando un puente (A Bridge is a Man Crossing a Bridge)
2012 Exhibition view Galeria Luisa Strina, São Paulo
Un puente es un hombre cruzando un puente (A Bridge is a Man Crossing a Bridge)
2012 Exhibition view Galeria Luisa Strina, São Paulo
Un puente es un hombre cruzando un puente – Cortina 1 (A Bridge Is a Man Crossing a Bridge – Curtain 1)
2012 Fabric and thread 105.5 x 58.2 in
Un puente es un hombre cruzando un puente (A Bridge is a Man Crossing a Bridge)
2012 Exhibition view Galeria Luisa Strina, São Paulo
Un puente es un hombre cruzando un puente (A Bridge is a Man Crossing a Bridge)
2012 Exhibition view Christinger de Mayo, Zürich
Un puente es un hombre cruzando un puente – Cortina 1 (A Bridge Is a Man Crossing a Bridge – Curtain 1)
2012 Fabric and thread 105.5 x 58.2 in
Un puente es un hombre cruzando un puente – Cortina 3 (A Bridge Is a Man Crossing a Bridge – Curtain 3)
2012 Fabric and thread 105.5 x 58.2 in
Cibernetica e Sociedade 2012 Dark Brown Over Red Stripes
2012 Silkscreen print on paper unique copy 27.2 x 19.5 in
Whatcha See is Whatcha Get
2012 Exhibition view 443 PAS @ Kevin M. Absec Designs, New York
Untitled
2012 Cotton fabric and thread 24 x 36 in
Untitled
2012 Cotton fabic and thread 48 x 24 in
No State II
2012 Exhibition view ARCO, Madrid
No State II- Curtain 1
2012 Cotton fabric and thread 110.3 x 59 in
No State II- Curtain 2
2012 Cotton fabric and thread 110.3 x 59 in
Y un día todo esto será tuyo (And One Day This Will All Be Yours)
2011 Exhibition view Galería YONO, Santiago
Y un día todo esto será tuyo (And One Day This Will All Be Yours)
2011 Exhibition view Galería YONO, Santiago
Linea de hormigas – Chile (Line of Ants – Chile)
2011 Sculpture actions
Untitled
2010 Fabric and thread 96.4 x 59 in
There’s Light In Every Window
2010 Exhibition view House of Propellers, London
Double Book Design 1 Brown on White
2010 Silkscreen on paper 34.6 x 22.8 in
Psychedelic Book Design #3
2010 Silkscreen print on paper 39.8 x 26 in
Kidnapping a Sculpture
2010 Exhibition view Message Salon, Zürich
Kidnapping a Sculpture
2010 Exhibition view Message Salon, Zürich
Kidnapping a Sculpture
2010 Custom-made wallpaper, 4 colors Dimensions variable
Kidnapping a Sculpture
2010 Custom-made wallpaper, 4 colors Dimensions variable
There’s Light In Every Window
2010 Exhibition view Die Ecke Arte Contemporáneo, Santiago
There’s Light In Every Window
2010 Exhibition view Die Ecke Arte Contemporáneo, Santiago
Triptico óptico psicodelico (Psychedelic Optical Triptych)
2010 Silkscreen on paper 34.6 x 22.8 in (each)
Double Book Design 1
2010 Silkscreen on paper 39.7 x 25.9 in
Sunset From the Empire State Building Observatory
2008 Exhibition view Sezession Wichtelgasse, Vienna
Model 2
2008 Cotton fabric and thread 94 x 59 in
Everyting that Begins as Comedy Inevitably Ends as Mystery
2008 Exhibition view Message Salon Perla Mode, Zürich
Everyting that Begins as Comedy Inevitably Ends as Mystery
2008 Exhibition view Message Salon Perla Mode, Zürich
No State
2008 Fabric and thread (4 panels) Dimensions variable
No State
2008 Fabric and thread (4 panels) Dimensions variable
No State – Curtain 1
2007 Fabric and thread 118 x 66 in
Group of Drawings
2007 Graphite and acrylic on paper 25 x 19 in (each)
Trapped by Mutual Affection
2005 Exhibition view Galerie Christian Nagel, Köln
Trapped by Mutual Affection
2005 Exhibition view Galerie Christian Nagel, Köln
Trapped by Mutual Affection
2005 Three wooden panels painted with water-based paint Dimensions variable
Monochromatic Heart
1999 Exhibition view Museo de Arte Contemporáneo de Valdivia, Valdivia
Monochromatic Heart
1999 Exhibition view Museo de Arte Contemporáneo de Valdivia, Valdivia
Monochromatic Heart
1999 Wood, acrylic and hardware Dimensions variable
Lonely Heart, Heart Lonely
1998 Exhibition view Galeria Chilena en Galería Posada del Corregidor, Santiago
Lonely Heart, Heart Lonely
1998 Wood, acrylic and hinges Dimensions variable
When a Dog Meets Another Dog
1997 Galerie Christian Nagel, Köln
When a Dog Meets Another Dog
1997 Galerie Christian Nagel, Köln
When a Dog Meets Another Dog
1997 Installation with trovicel modules Dimensions variable
Circuits
1997 Exhibition view Galeria Gabriela Mistral, Santiago
Circuits
1997 Exhibition view Galeria Gabriela Mistral, Santiago
Circuits
1997 Exhibition view Galeria Gabriela Mistral, Santiago

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El Cóndor Pasa
2023 Installation view Cotton fabric, cotton batting, threadwork, and hand embroidered cotton 11 curtains produced with quilting techniques, with the guidance of Danielle Tucker OSMOS Station, Stamford NY This exhibition was supported, in part, by a Foundation for Contemporary Arts Emergency Grant

El Cóndor Pasa (Curtain 2)
2023 Cotton fabric, cotton quilt batting, embroidery cotton thread, and threadwork 66 x 43 in

El Cóndor Pasa (Curtain 3)
2023 Cotton fabric, cotton quilt batting, embroidery cotton thread, and threadwork 64 x 41 in

El Cóndor Pasa (Curtain 9)
2023 Cotton fabric, cotton quilt batting, embroidery cotton thread, and threadwork 65 x 42 in

El Cóndor Pasa (Curtain 10)
2023 Cotton fabric, cotton quilt batting, embroidery cotton thread, and threadwork 65 x 42 in

El Cóndor Pasa (Curtain 11)
2023 Cotton fabric, cotton quilt batting, embroidery cotton thread, and threadwork 65 x 42 in

¿En qué estabas pensando, en el pasado o en el futuro? (What Were You Thinking About, the Past or the Future?)
2022 Installation view, MAVI UC, Museo de Artes Visuales, Santiago de Chile, Photo: Jorge Brantmayer

Soltaré cien conejos y usted verá como le hace para juntarlos todos (I’ll Release a Hundred Rabbits and You’ll See How You’re Doing To Gather Them All Together)
2022 Installation view, Sala de Arte Siqueiros, Cuernavaca, Photo: Felipe Mujica

Cortinas (Curtains)
2022 Installation view, Redaktion, Luzern, Switzerland

First Sunrises on Earth (Solentiname)
2021 Installation view Art Basel Miami, Proyectos Ultravioleta and Von Bartha. Photo: Luis Corzo

The Swaying Motion on the Bank of the River Falls
2021 Exhibition view Perez Art Museum Miami, Miami Photo: Oriol Tarridas

The Swaying Motion on the Bank of the River Falls
2021 Exhibition view Perez Art Museum Miami, Miami

Big Storm
2021 Cotton fabric and thread 87 3/4 x 55 1/8 in Photo by: Luis Corzo

Fire
2021 Cotton fabric and thread 88 3/16 x 56 in Photo by: Luis Corzo

Lightning
2021 Cotton fabric and thread 89 x 56 in Photo by: Luis Corzo

Pyramid
2021 Cotton fabric and thread 92 1/8 x 57 7/8 in Photo by: Luis Corzo

Steps
2021 Cotton fabric and thread 88 3/16 x 56 in Photo by: Luis Corzo

First Sunrises on Earth
2021 Exhibition view Proyectos Ultravioleta Guatemala City

First sunrises on earth (Dominican Republic) – Curtain 3
2016 Hand dyed cotton fabric and acrylic paint 64 x 42 in

First Sunrises on Earth (Zacatecas) – Curtain 1)
2019 Denim fabric, thread and “chaquiras” (beads) 58.66 x 37 in

First sunrises on earth (Zacatecas) – Curtain 6
2019 Hand embroidery on cotton fabric 53.3 x 35.3 in

Solentiname
2019 Exhibition view Solentiname, Isla Mancarrón

First Sunrises on Earth (Solentiname) – Curtain 1
2019 Hand painted and hand-dyed 59 x 37 in

First Sunrises on Earth (Solentiname) – Curtain 2
2019 Hand painted and hand-dyed cotton 59 x 37 in

First Sunrises on Earth (Solentiname) – Curtain 4
2019 Hand painted and hand-dyed cotton 70.9 x 44.9 in

First Sunrises on Earth (Solentiname) – Curtain 6
2019 Hand painted and hand-dyed cotton 70.9 x 44.9 in

Where Land and Sea Melt Into Sky
2019 Exhibition view PROXYCO Gallery, New York

First Sunrises on Earth (Zacatecas) – Curtain 1
2019 Demin fabric, thread and “chaquiras” (beads) 58.6 x 37 in

First Sunrises on Earth (Zacatecas) – Curtain 8
2019 Cotton fabric, thread and hand embroidered cotton 55.12 x 34.65 in

First Sunrises on Earth (Zacatecas) – Curtain 9
2019 Cotton fabric, thread and hand embroidered cotton 70.1 x 44.9 in

First Sunrises on Earth
2019 Exhibition view Sindicato, Las Terrenas / Sánchez, República Dominicana

First Sunrises on Earth (Dominican Republic) – Curtain 1
2019 Hand dyed cotton fabric and acrylic paint 96 x 61 in

First Sunrises on Earth (Dominican Republic) – Curtain 3
2019 Hand dyed cotton fabric and acrylic paint 64.9 x 42.1 in

First Sunrises on Earth (Dominican Republic) – Curtain 4
2019 Fabric, fabric tape and sewing thread 52 x 33 in

All Tomorrow´s Parties
2019 Exhibition view Galerie Von Bartha, Basel

Ellos ya habían aprendido que todo lo que sueñan puede existir (They Had Already Learned That Everything They Dream of Can Exist)
2018 Exhibition view XIII Bienal FEMSA, Zacatecas

They Had Already Learned That Everything They Dream of Can Exist – Curtain 1
2018 Denim fabric (cotton and polyester mix), sewing thread and “beads” 90 x 62 in

They Had Already Learned That Everything They Dream of Can Exist – Curtain 2
2018 100% natural wool fabric, sewing thread and hand embroidered cotton thread 87 x 61 in

We Are More United to the Invisible Than to the Visible
2018 Exhibition view Museo de Arte Moderno de Medellín, Colombia

Las universidades desconocidas – Design 22 B (The Unknown Universities – Design 22 B)
2016 Cotton fabric, thread and embroidered yarn 116.1 x 62.9 in

Las universidades desconocidas – Design 39 (The Unknown Universities – Design 39)
2016 Cotton fabric and thread 116.1 x 62.9 in

Una noche de verdad dentro de una noche de verano (A Real Night Inside a Summer Night)
2018 Exhibition view Bis Oficina de Proyectos, Calí

Japanese Optical and Geometrical Art (p. 136)
2017 Silkscreen on inked paper 40.5 x 25.9 in

A Real Night Within a Summer Night – Curtain # 7
2018 Cotton fabric, embroidery 68.8 x 45 in

The Yellow Road – Curtain 2
2018 Fabric, sewing and embroidery 47 x 31 in

Dedicated to the Bird We Love
2017 Exhibition view Galerie von Bartha, S-chanf

Dedicated to the Bird We Love
2017 Exhibition view Galerie von Bartha, Basel

Sombras Imaginarias 13 (Imaginary Shadows 13)
2017 Embroidered cotton 98 x 53 in

Sombras Imaginarias 17 (Imaginary Shadows 17)
2017 Embroidered cotton 100 x 52 in

Sombras imaginarias caminan por el camino imaginario (Imaginary Shadows Walk the Imaginary Path)
2017 Exhibition view Casa Tríangulo, Sao Paulo, Brazil Photo: Edouard Fraipont

Sombras Imaginarias – Cortina 7 (Imaginary Shadows – Curtain 7)
2017 Embroidered cotton 100 x 53 in

Sombras Imaginarias – Cortina 9 (Imaginary Shadows – Curtain 9)
2017 Embroidered cotton 100 x 52.8 in

How to Speak Psychedelic
2017 Serigraphy on paper 39.9 x 25.9 in

Japanese Optical and Geometrical Art (p. 110)
2017 Serigraphy on paper 39.9 x 25.9 in

Japanese Optical and Geometrical Art (p. 136)
2017 Silkscreen on paper 39.9 x 25.9 in

Japanese Optical and Geometrical Art (p. 23)
2017 Serigraphy on paper 39.9 x 25.9 in

So We Faced With The Problems of Conversation (Google Translate)
2017 Exhibition view Koulturøya, Stavanger

So We Faced With The Problems of Conversation (Google Translate) – Curtain 1
2017 Fabric and thread 51 x 29 in

So We Faced With The Problems of Conversation (Google Translate) – Curtain 2
2017 Fabric and thread 51 x 29 in

So We Faced With The Problems of Conversation (Google Translate) – Curtain 4
2017 Fabric and thread 51 x 29 in

Zigzag Incisions
2017 Exhibition view CuCRAC Alsace, Altkirch

There Are Houses and Streets That Run Down to the Sea (Navy Blue)
2016 Fabric and thread 96 x 55.9 in

There Are Houses and Streets That Run Down to the Sea (Oxide Orange)
2016 Fabric and thread 96 x 55.9 in

Embodied Absence
2016 Exhibition view Curated by Liz Munsell, Harvard University, Cambridge

Curtain #1 (RED)
2016 5 Curtains of cotton fabric, sewing, hand-embroidered cotton thread 110 x 59 in

Curtain #2 (YELLOW)
2016 5 Curtains of cotton fabric, sewing, hand-embroidered cotton thread 110 x 59 in

Curtain #3 (BLUE)
2016 5 Curtains of cotton fabric, sewing, hand-embroidered cotton thread 110 x 59 in

Curtain #4 (BEIGE)
2016 5 Curtains of cotton fabric, sewing, hand-embroidered cotton thread 110 x 59 in

Las universidades desconocidas (The Unknown Universities)
2016 Exhibition view Incerteza Viva, 32ª Bienal São Paulo,São Paulo

Las universidades desconocidas – Diseño 19 B modificado (The Unknown Universities – 19 B Modified Design)
2016 Cotton fabric, thread and embroidered yarn 116.1 x 62.9 in

Las universidades desconocidas – Diseño 40 (The Unknown Universities – Design 40)
2016 Cotton fabric, thread and embroidered yarn 116.1 x 62.9 in

La Liberté Sans Nom (Freedom Without a Name)
2016 Exhibition view Curated by Elfi Turpin, CRAC Alsace, Altkirch

Huecos #1 (Holes #1)
2016 Fabric and thread 52 x 27 in

Huecos #2 (Holes #2)
2016 Fabric and thread 52 x 27 in

The End of the East Coincides With the End of the South
2015 Exhibition view Proyectos Ultravioleta Guatemala City

Untitled for Cuenca – Curtain 1
2014 Fabric and thread 110 x 58 in

Untitled for Cuenca – Curtain 3
2014 Fabric and thread 110 x 58 in

Indigo
2015 Exhibition view Concepción 41, Antigua Guatemala

Indigo #0
2015 Cotton fabric, sewing and hand embroidered cotton 51 x 29 in

Indigo #3
2015 Indigo dyed cotton fabric, stitching and hand embroidered cotton 51 x 29 in

Arriba como ramas que un mismo viento mueve (Up Like Branches That the Same Wind Moves)
2014 Exhibition view Museo Experimental El Eco, México City

Arriba como ramas que un mismo viento mueve – Cortina 1 (Up Like Branches That the Same Wind Moves – Curtain 1)
2014 Fabric and thread 112 x 59 in

Arriba como ramas que un mismo viento mueve – Cortina 4 y 5 (Up Like Branches That the Same Wind Moves – Curtain 4 and 5)
2014 Fabric and thread 112 x 59 in (each)

Untiled for Cuenca
2014 Exhibition view 12th Bienal of Cuenca, Cuenca

Untitled for Cuenca – Curtain 4
2014 Fabric and thread 110 x 58 in

Untitled for Cuenca – Curtain 2
2014 Fabric and thread 110 x 58 in

Untitled (El Quisco)
2013 Exhibition view Fondazione Merz, Turin

Untitled (El Quisco)
2014 Fabric and thread 4 panels of 47.2 x 78.7 in (each)

Arquitectura y amistad (Architecture and Friendship)
2013 Exhibition view Proyectos Ultravioleta, Guatemala City

Untitled
2013 Cotton fabric, canvas fabric and thread 106 x 60.6 in

Untitled (Curtain 2)
2013 Thread and fabric 106 x 65.3 in

Ojos de perro azul (Blue Dog Eyes)
2012 Exhibition view Galeria Nuno Centeno, Porto

Blue Dog Eyes – Curtain 1
2012 Cotton fabric and thread 94 x 59 in

Blue Dog Eyes – Curtain 2
2012 Cotton fabric and thread 94 x 56 in

Extrapolasis 1 and 2
2012 Silkscreen on paper 40 x 25 in

Un puente es un hombre cruzando un puente (A Bridge is a Man Crossing a Bridge)
2012 Exhibition view Galeria Luisa Strina, São Paulo

Un puente es un hombre cruzando un puente – Cortina 1 (A Bridge Is a Man Crossing a Bridge – Curtain 1)
2012 Fabric and thread 105.5 x 58.2 in

Un puente es un hombre cruzando un puente (A Bridge is a Man Crossing a Bridge)
2012 Exhibition view Christinger de Mayo, Zürich

Un puente es un hombre cruzando un puente – Cortina 3 (A Bridge Is a Man Crossing a Bridge – Curtain 3)
2012 Fabric and thread 105.5 x 58.2 in

Cibernetica e Sociedade 2012 Dark Brown Over Red Stripes
2012 Silkscreen print on paper unique copy 27.2 x 19.5 in

Whatcha See is Whatcha Get
2012 Exhibition view 443 PAS @ Kevin M. Absec Designs, New York

Untitled
2012 Cotton fabric and thread 24 x 36 in

Untitled
2012 Cotton fabic and thread 48 x 24 in

No State II
2012 Exhibition view ARCO, Madrid

No State II- Curtain 1
2012 Cotton fabric and thread 110.3 x 59 in

No State II- Curtain 2
2012 Cotton fabric and thread 110.3 x 59 in

Y un día todo esto será tuyo (And One Day This Will All Be Yours)
2011 Exhibition view Galería YONO, Santiago

Linea de hormigas – Chile (Line of Ants – Chile)
2011 Sculpture actions

Untitled
2010 Fabric and thread 96.4 x 59 in

There’s Light In Every Window
2010 Exhibition view House of Propellers, London

Double Book Design 1 Brown on White
2010 Silkscreen on paper 34.6 x 22.8 in

Psychedelic Book Design #3
2010 Silkscreen print on paper 39.8 x 26 in

Kidnapping a Sculpture
2010 Exhibition view Message Salon, Zürich

Kidnapping a Sculpture
2010 Custom-made wallpaper, 4 colors Dimensions variable

There’s Light In Every Window
2010 Exhibition view Die Ecke Arte Contemporáneo, Santiago

Triptico óptico psicodelico (Psychedelic Optical Triptych)
2010 Silkscreen on paper 34.6 x 22.8 in (each)

Double Book Design 1
2010 Silkscreen on paper 39.7 x 25.9 in

Sunset From the Empire State Building Observatory
2008 Exhibition view Sezession Wichtelgasse, Vienna

Model 2
2008 Cotton fabric and thread 94 x 59 in

Everyting that Begins as Comedy Inevitably Ends as Mystery
2008 Exhibition view Message Salon Perla Mode, Zürich

No State
2008 Fabric and thread (4 panels) Dimensions variable

No State – Curtain 1
2007 Fabric and thread 118 x 66 in

Group of Drawings
2007 Graphite and acrylic on paper 25 x 19 in (each)

Trapped by Mutual Affection
2005 Exhibition view Galerie Christian Nagel, Köln

Trapped by Mutual Affection
2005 Three wooden panels painted with water-based paint Dimensions variable

Monochromatic Heart
1999 Exhibition view Museo de Arte Contemporáneo de Valdivia, Valdivia

Monochromatic Heart
1999 Wood, acrylic and hardware Dimensions variable

Lonely Heart, Heart Lonely
1998 Exhibition view Galeria Chilena en Galería Posada del Corregidor, Santiago

Lonely Heart, Heart Lonely
1998 Wood, acrylic and hinges Dimensions variable

When a Dog Meets Another Dog
1997 Galerie Christian Nagel, Köln

When a Dog Meets Another Dog
1997 Installation with trovicel modules Dimensions variable

Circuits
1997 Exhibition view Galeria Gabriela Mistral, Santiago

Felipe Mujica (Chile, 1974) lives and works in New York. He holds an Art degree from Universidad Católica de Chile. His work is influenced by the social and political movements of the 60’s and 70’s, and elements from graphic design and advertisement, that bring together the pictorial and popular culture. As a Latin American artist living in the United States, his discourse is influenced by his geographic displacement, since for him there is no center or real periphery. In 1997, Mujica co-founded (with Diego Fernández y José Luis Villablanca) the Galería Chilena GALCHI, and since 2009 he has worked in editorial design and production of artist publications, alongside Johanna Unzueta.

His individual and bi-personal exhibitions include ¿En qué estabas pensando, en el pasado o en el futuro? (What Were You Thinking About, the Past or the Future?), MAVI UC, Santiago de Chile (2022); Soltaré cien conejos y usted verá como le hace para juntarlos todos (I’ll Release a Hundred Rabbits and You’ll See How You’re Doing To Gather Them All Together), Sala de Arte Público Siqueiros, Cuernavaca (2022); The Swaying Motion on the Bank of the River Falls, Pérez art museum Miami, Miami (2021); All Tomorrow’s Parties, Von Bartha Gallery, Basel (2019); We Are Closer to the Invisible Than to the Visible, MAMM Medellín, Medellín (2018); Architecture and Friendship, with Johanna Unzueta, Proyectos Ultravioleta, Guatemala City (2013); Ojos de Perro Azul, Nuno Centeno Gallery, Porto, Portugal (2012); A Bridge is a Man Crossing a Bridge, Christinger De Mayo, Zürich, Switzerland (2011); and One Day This Will All Be Yours, Open Source Gallery, Brooklyn, New York (2011). He has participated in numerous group exhibitions in the United States, Chile, Sweden, Brazil, Austria, Guatemala, Mexico and Colombia, including Shout Fire, Roda Sten Konsthall, Gothenburg (2018); XIII Bienal FEMSA, Zacatecas (2017); Nameless Freedom, CRAC Alsace, Altkirch (2017); Incerteza Viva, 32 São Paulo Biennial, São Paulo (2016); and The End of the East Coincides With the End of the South, Proyectos Ultravioleta, Guatemala City (2015).

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Exhibitions by Felipe Mujica at Proyectos Ultravioleta:

Architecture and Friendship

group show

Guatemala City, Guatemala